Professor Sarah Glennie

Director

Through this site you can explore the full breadth of work by our extraordinary graduates. We are exceptionally proud of the final-year and postgraduate students who are part of NCAD Works 2023, and in sharing their work with you we would like to pay tribute to them and the ways in which they have individually responded to the immense challenges that the last few years have posed. Their work stands as testament to the dedication, resilience and creativity that has inspired us all through some challenging years, and I know all my colleagues at NCAD are extremely proud of everything that they have achieved. 

Our students are fully engaged with the world beyond the NCAD campus and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. Experimentation in the studio, learning through doing, deep understanding of materials and processes, as well as the criticality that is embedded across all pathways, prepare graduates to thrive in and beyond the worlds of art and design. We cannot predict the kind of world our graduates will be working in, but we do know that the imagination, creativity and critical thinking they have gained during their time at NCAD will equip them to make an impact in whatever path they follow. We need thinkers and doers who are not afraid to ask questions, adapt and lead, and this generation of NCAD graduates’ creativity and resilience will benefit us all in years to come. 

So on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students, we are extremely proud of all that you have achieved and we look forward to following your creative journeys in the future.

NCAD Works 2023 Thomas St Campus

100 Thomas Street
Directions

9–16 June


Fri 9 June 10am–9pm
Sat 10 June 10am–5pm
Sun 11 June 10am–5pm
Mon 12 June 10am–8pm
Tue 13 June 10am–8pm
Wed 14 June 10am–8pm
Thu 15 June 10am–8pm
Fri 16 June 10am–6pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design

NCAD MFA Show

102–3 James’ Street
Directions
Map (PDF)

9–16 June

Fri 9 June 10am–9pm
Sat 10 June 10am–5pm
Sun 11 June 10am–5pm
Mon 12 June 10am–8pm
Tue 13 June 10am–8pm
Wed 14 June 10am–8pm
Thu 15 June 10am–8pm
Fri 16 June 10am–6pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

NCAD Works Grace Gifford House

9–16 June

Fri 9 June 10am–9pm
Sat 10 June 10am–5pm
Sun 11 June 10am–5pm
Mon 12 June 10am–8pm
Tue 13 June 10am–8pm
Wed 14 June 10am–8pm
Thu 15 June 10am–8pm
Fri 16 June 10am–6pm

Courses on show:

Media

Not knowing your roots is part of living in a globalised world, which makes us unsure of who we are. No longer firmly connected to our past, we are increasingly feeling a sense of spiritual orphanhood.  The massive amount of information that we take in every day creates a reaction of not wanting to know...at least something. 

Myths face challenges in the modern world…when the whole world map is mapped, what’s left to fantasise about in our reality? To seek depth can explain why we are drawn to stories about the unexplainable. It’s the myths that give meaning to life and humans have always been in need of great stories.

I dug deep inside my childhood, to a time when everything was treasured, when there was a certain life to everything, when nature was sacred. To a time when the sun, the moon, rocks, streams, old trees, caves, flowers, and even people were perceived to be the offspring of magic.

Through my videos, I am on a quest to find the truth in my dreams and daydreams. I try to find the connections between the characters that keep reappearing in our dreams, and how specific people leave a big mark on us. I create spaces where the environment fades away, giving way to the protagonists as if it encourages them to exist; they live in a liminal space between childhood and adulthood, where anything is possible.

Myths and dreams blend into fiction that tastes like a hybrid fruit from a newly discovered planet. We construct our mythology little by little, through our creations and visions of the unknown. Free from the chains of reality, it becomes like our own religion.

Myth-making provides an unlimited perception of what we are capable of conceiving if only we were to strip ourselves of what we think we know.  I wish to offer no explanation, no justification and no apology, inviting the viewers inside my mind as innocent viewers of an innocent world. To celebrate my roots, myths have the responsibility to teach what can be dreamt. 

Miyuki Falzone

Myth making

she/her

Edit