Professor Sarah Glennie

Director

Through this site you can explore the full breadth of work by our extraordinary graduates. We are exceptionally proud of the final-year and postgraduate students who are part of NCAD Works 2023, and in sharing their work with you we would like to pay tribute to them and the ways in which they have individually responded to the immense challenges that the last few years have posed. Their work stands as testament to the dedication, resilience and creativity that has inspired us all through some challenging years, and I know all my colleagues at NCAD are extremely proud of everything that they have achieved. 

Our students are fully engaged with the world beyond the NCAD campus and they continue to demonstrate their ambition and commitment to make work that has impact and meaning to us all in many different ways. The big challenges that face society can be traced across our graduates' work as they apply their creativity to bringing new solutions, critical thinking and reflection onto issues including sustainability, gender identity and equality, wellbeing, new technologies and our digital and material futures.  

An education at NCAD is the starting point for generations of bold and curious minds that have made an enormous contribution to society in many different ways. Experimentation in the studio, learning through doing, deep understanding of materials and processes, as well as the criticality that is embedded across all pathways, prepare graduates to thrive in and beyond the worlds of art and design. We cannot predict the kind of world our graduates will be working in, but we do know that the imagination, creativity and critical thinking they have gained during their time at NCAD will equip them to make an impact in whatever path they follow. We need thinkers and doers who are not afraid to ask questions, adapt and lead, and this generation of NCAD graduates’ creativity and resilience will benefit us all in years to come. 

So on behalf of An Bord and all my colleagues at NCAD – congratulations to all our graduating students, we are extremely proud of all that you have achieved and we look forward to following your creative journeys in the future.

NCAD Works 2023 Thomas St Campus

100 Thomas Street
Directions

9–16 June


Fri 9 June 10am–9pm
Sat 10 June 10am–5pm
Sun 11 June 10am–5pm
Mon 12 June 10am–8pm
Tue 13 June 10am–8pm
Wed 14 June 10am–8pm
Thu 15 June 10am–8pm
Fri 16 June 10am–6pm

Courses on show:

BA Fashion
BA Jewellery & Objects
BA Textile & Surface Design
Joint (Hons) Education Design or Fine Art
BA Graphic Design
BA Illustration
BA Moving Image Design
BA Interaction Design
BA Product Design
Applied Materials
Media
Painting
Print
Sculpture & Expanded Practice
MA Design for Body & Environment
MA Communication Design
MA Interaction Design

NCAD MFA Show

102–3 James’ Street
Directions
Map (PDF)

9–16 June

Fri 9 June 10am–9pm
Sat 10 June 10am–5pm
Sun 11 June 10am–5pm
Mon 12 June 10am–8pm
Tue 13 June 10am–8pm
Wed 14 June 10am–8pm
Thu 15 June 10am–8pm
Fri 16 June 10am–6pm

Courses on show:

MFA in Fine Art
MFA Art in the Contemporary World

NCAD Works Grace Gifford House

9–16 June

Fri 9 June 10am–9pm
Sat 10 June 10am–5pm
Sun 11 June 10am–5pm
Mon 12 June 10am–8pm
Tue 13 June 10am–8pm
Wed 14 June 10am–8pm
Thu 15 June 10am–8pm
Fri 16 June 10am–6pm

Courses on show:

Media

How do societies move within the contemporary globalised world, and what do we share with strangers we see every day? Daily urban moments are translated into paint in my work. The elements that cause attraction/ distraction – colours, lights, design elements, text, advertisements – these are all gathered into gestural strokes with the individual remaining as the focus of my attention.

In A-Way, painting is reconsidered entirely within my work by introducing discarded material – cardboard, plastics, and other objects we touch a thousand times – as an equal protagonist. This leads to an emergence of blended visual elements which offer a “grounded” journey that follows contemporary consumer habits, societal trends, and the never-ending cycle of production and consumption globally.

Two- and three-dimensional paintings are used to convey everyday urban experiences, where modern societies unfold, and where consuming and discarding have become contemporary human automatisms.

Guia Rossi

A- Way

she/her

Edit
*Fast food*, ink, gouaches and wax pastels on cardboard, 41.7 x 30cm

Fast food, ink, gouaches and wax pastels on cardboard, 41.7 x 30cm

*Wine bar*, ink, gouaches and wax pastels on cardboard, 29.4 x 21cm

Wine bar, ink, gouaches and wax pastels on cardboard, 29.4 x 21cm

*Happy Hour*, gouaches and mixed media on canvas, 70 x 40cm

Happy Hour, gouaches and mixed media on canvas, 70 x 40cm

*Eddie Rockets*, gouaches and wax pastels on shopping bags (one side); mixed media collage (other side), 82 x 39cm

Eddie Rockets, gouaches and wax pastels on shopping bags (one side); mixed media collage (other side), 82 x 39cm

*Kokoro*, gouaches, fabrics and mixed media on stretchers, 80 x 110cm

Kokoro, gouaches, fabrics and mixed media on stretchers, 80 x 110cm

*Hogans*, gouaches and mixed media on canvas, 60 x 50cm

Hogans, gouaches and mixed media on canvas, 60 x 50cm

*Restaurant window*, black gesso, gouaches and mixed media on Dunnes' shopping bag, 89 x 42cm

Restaurant window, black gesso, gouaches and mixed media on Dunnes' shopping bag, 89 x 42cm

*Irish café*, gouaches and text collage on canvas, 60 x 80cm

Irish café, gouaches and text collage on canvas, 60 x 80cm

*St. Paddy’s Eve*, gouaches, wax pastels and mixed media on canvas, 80 x 60cm

St. Paddy’s Eve, gouaches, wax pastels and mixed media on canvas, 80 x 60cm