Interpreting colour and surface is what drives my work. Inspiration began while viewing architecture on a trip to Cuba. Mottled and worn textures next to smooth extravagant façades form a striking juxtaposition. Layers of eroded paint appear as pastel washes, in contrast with rich, vibrant mid-tones.
In response to this, I create abstract paintings exploring colour and composition. This artwork plays a key role in translating the source into woven cloth. Hand dyeing the yarn has been a vital stage in the development of my practice and in capturing a distinctive colour aesthetic.
The provenance of traditional fibres and hand weaving processes are central to my work. Wool yarns spun in Kilcar provide structure and depth, while chunky mohair and bouclé inject tactility. Mechanised Dobby loom weaving combined with tapestry techniques unite art, design, colour, pattern and texture, bringing a sense of comfort and intrigue to a space.
With thanks to Donegal Yarns for sponsorship.
Piece 3, woven hand dyed wool mix (detail)
Piece 1
Piece 2
Piece 3
Piece 3, honeycomb weave (detail)
Piece 1, 2 and 3 (details)
Research
Studio space showing paintings inspired by Cuban architecture, hand dyed yarn spools and hanks
Concept Board
Colour Development
Piece 3, process on AVL Dobby Loom