Within digital art and design, the true process behind the creation of a 'final piece’ is often obscured from the viewer in favour of a more enigmatic and curated rationalisation. This added layer of mystique can be used purposely to add an allure, a feeling of innate creative expression bordering on some ‘divine intervention’.
Tom’s series of work however focuses on the 'process' itself as its main subject, playing against this mindset and exploring what it means to expose the human mechanisms behind creative works.
At a time where digital technology is pushing the creative field into more and more automation, there is a renewed importance to highlight the human input involved.
By exploring and presenting 'process', he allows for an interesting dialogue around the relationship between creator and audience, with the setting of a graduate show acting as a catalyst to invite interrogation into the backdrop of other exhibits.
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0.98%, publication – in use
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0.98%, publication
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0.98%, publication
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0.98%, publication
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Digital Transparency, screen print
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Scars of Labour
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Scars of Labour
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Digital Transparency, essay/ pamphlet
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Digital Transparency, essay/ pamphlet
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Digital Transparency, essay/ pamphlet